I think there was a dream within a dream. It seems like I was watching/playing some sort of video game with narrative movie content, or a movie with interactive screen elements. I remember a dialogue and a related clickable room. In the scene a young man and woman were talking, and she was saying she was going to have to miss some recurring event they usually did that involved LP’s and discussion thereof. (history? reviewing? something more complicated involving relationships between disparate LPs in their history or gestalt?) It became clear that the two had once been very close in some way but there had been a rift and then a drift, as the guy was saying “I guess it wouldn’t surprise me it would be easy for you to blow off most of the stupid stuff we do, but LP night?!??” And then there was some screen play in a record store scene, and you could click on the LP’s in the record rack and their image would zoom to an enlargement with cover art and liner notes. there was some object of shuffling through them and trying to find ones of some particular significance based on different criteria and I think match the disparate releases to each other on that esoteric basis. The images of some of the familiar covers stirred deep and powerful emotions within me.
Then I woke up, and was thinking about how important LP’s had always been to me, and how weird and messed up it is that I could never manage to release any; for a second I had a wave of correct thinking, that this was what I should be devoting my time to. Then I remembered that there was money involved, and how that has always been my kryptonite and I get shorted-out whenever it is in the equation. At this point I started getting emotionally wracked, lying there in a dingy motel room with the 1950’s style ceiling fan slowly turning overhead somehow mirroring my spiral into mal-autobio. Suddenly I became aware of how strangely empty the room seemed. I looked again at the door, open to the screen, and the tear in the screen door directly diagonal to the handle. I stood to take better inventory, and it added up to zero. First thing I thought about was my instruments. Okay, the guitar was just an ebay Epiphone; but the specially worn 1917 Gibson mandolin is not replaceable in any sense!
Then I woke up again, this time in a cluttered half-double as has been more often the case. It took some time to explain to myself that I had never been in that motel room, and that I didn’t have to jump up and start dealing with this situation.
awake after 3 hours whiskey and cigarette steeped sleep from yet another disturbing dream ending.
Was out in the country somewhere house-sitting at a big suburban kind of place, and there had been a bunch of people there partying, it was a holiday weekend or something, and we were in the big double-garage with no vehicles in it and I was doing, in the face of all logic and reason, a rendition of “New York, New York”. Kind of a half-ass jam with some video maybe. And, I guess I got wound up about it; going, hey, in spite of everything, let’s do the big ending as a parade with all these people, big video scene. Maybe it will be some sort of ironic triumph to cap my sputtering unseen, unheard, inadequate and incomplete life’s work, come on. But everyone was ready to leave, and went off saying “the moment has passed,” and ridiculing me in various ways.
And I said, “oh yeah, well you know what?” and then I floundered for a strong statement about their attitudes and lives in general and was just stammering and unable to spit out even a simple-minded curse when one of the departing suggested over their shoulder, “fuck you?” “Yeah,” I agreed, “fuck you!”
And then I was alone with my failure once again. (Except three people drove in on their bicycles; I thought maybe to see me but they had promised the absent owners they were going to drop some stuff off. They said they thought they’d find some big jam going on and I was debating whether I should suggest we play some anyway.) then I woke up feeling awful because it all seemed so everyday realistic.
I searched and searched for tips on turning my longtime ballpoint habit (mostly fueled by sitting at a desk at work and school, and ease of carrying on a bus) legit with an archival ink. Turns out there are some common brands that use inks that conform to certain industry standards, and there are lots of mailing list and blog posts about these issues. But, actually finding the right implements cheap in my locality took a lot of hours (as always.) But, for now I’ve got my answers, even if it did require ordering stuff from China and Japan and Germany, and the most expensive pen has already had the pocket clip break so thanks, Tombow. But, the Tombow refills are more for writing, as they are a smooth flowing liquid ink.
If you want to get that pencil like feel and value range you need an old school funky ballpoint, none of this gel and liquid and glide what-not. Well, Schneider’s got it, and the Schneider Pulse (not the Pulse Pro, which has some kinda smooth glide ink) ended up being the compromise weapon of choice. I got one at a reasonable price, and then a handful more shipped from way out for a very reasonable price. And some extra refills. Now, actually getting my broken hand and mind to usethem up is a whole other issue. Most of these drawings were done after being up all night and then finally having a craving to do what I should have been doing all along after the sun starts coming up and I’ve turned the lights out.
I keep remembering, hours after I should have gone to bed, that reviving my lapsed focus on drawing, starting in reverse order of problems with getting the broken hand back in action, was supposed to be some sort of priority. I mean like, when the sun is coming up.
But, why should it be a priority, anyway? The world is overrun with people wandering around with sketchbooks now, and blogging about their practice and their techniques. Back when I was really in it no one else could be seen doing it in these parts (unless you were in the vicinity of the art school), and no one cared that I was.(Isn’t she cute, though? Less than an inch square in real life.)
I have been using the old Pentalic Mark X, which when new seemed like a sad replacement for my favorite reasonably priced sketching fountain, the Pelikan 120. Although I have purchased a couple more 120’s off of ebay, at not so reasonable prices these days, I still do not have one working the way it used to. The Mark X just keeps flowing along, with no maintenance in the 35-40 years since it was new.
Hey, I was just installed. How the heck did you even find this “Blog”?
Well, having already gotten one mysterious (and possibly translated from another language?) comment, apparently there are robots out there waiting for any new WordPress site to appear.
However, just in case any humans are involved, I will explain that this is indeed the first post I am writing on my new installation but I have attempted an import of the items on my Blogger site. So, it looks as if I have been working on this sporadically for seven years. (“Sometimes I’d like to murder time” – Robin Williamson, October Song) I have been meaning to take back possession of a lot of the stuff that I wrote directly on FaceBook as well, we’ll see about that later.