The Lost Scrolls

Last night, at a time which might be considered late relative to when I had awakened, when I might well have gone to rest but was instead in the kitchen aimlessly considering further harm to my gut, a thought came to me. I did not avoid this thought, as one does with so many random encounters. I did not hurriedly adjourn to the ‘dining room’ (where seldom does anyone dine) with a doff of the imaginary hat and a “good morrow to you.” No, I paused and gave this thought the once over. I formed it into a sentence. Then I amended that sentence in my mind. I rearranged its clauses and gifted it with more clarity and meaning. After awhile it began to seem worthy of advancing in the world and making something of itself. I considered writing it down somewhere; perhaps in one of my sketchbooks or journals (wherever they might be), or, as I too often do, on FaceBook for convenience. I thought, “if I don’t do that I bet I will have no idea of what the subject even was by tomorrow.”

Turns out I was right about that last part.

Poor Mourner. A song history out of my head. (Almost.)

You Shall Be Free (When the Good Lord Sets You Free.) You Shall. We Shall. I Shall. (but the struggle continues anyway.). Oh, Monah!

This song, and the way it and its derivatives wind their way through the history of all forms of American music, has been a fascination and ongoing study for me for some time now.

It’s somewhat uncertain and possibly unknowable origins go back to sometime in the 19th Century somewhere. It first entered my consciousness in my early teens by way of one of those sublime drunken Folkways sessions with Woody Guthrie in the company of Leadbelly, Sonny Terry and Brownie McGee, Cisco Houston and others. It probably got to Bob Dylan the same way, though just a couple years earlier since he’s eight years older than me. But, it had been around a lot before then.

Some of the oldest versions feature an unfortunate, especially when done by certain white folks later, use of the “N” word. But the minstrel shows were the basis of American Pop Music, its history doesn’t make any sense without that link. By the time Woody was doing it, and long before, that word had been substituted with Preacher. Not a euphemism, but a whole shift in perspective.

Before the long existence as a humorous song, though, it may have had ‘spiritual’ origins. Some verses may have been published in the 1840s, but who knows where it had been before publication.

The first recording linked below is of intense interest, having only been discovered very belatedly. In, I think, the 1990’s. It dates from 1898, and is widely thought to be the first recorded example of ‘Vernacular African American’ music. Before that all history is written word and inference. After that, recording of Black Americans remained spotty due to lack of commercial and majority culture interest. (even the first blues and jazz records released in the early 20s were by white or sort of white folk.)

Maybe 1898 seems kind of early, but ‘Stars and Stripes Forever was already a big hit record in 1895. This may be a hard listen for contemporary ears, especially those that haven’t been trying to make their way through the noise and limited range and dynamics of acoustic recording techniques on very early records for the majority of their lives. But, I recommend it most highly, not only for the historical importance but the aesthetic brilliance and peculiarity amongst more popular fare. The less ‘classical’ solo banjo with two voices, tempo shifts, exuberant expressive voices; all sounds from out of nowhere. This particular reissue may err a bit on the side of noise reduction vs. full spectrum.

Before this the earliest black voices to be heard were the vocal Quartets, like the “Dinwiddie Colored Quartet” who released their version in 1902. The first of these groups to gain popularity were associated with colleges. They had a much more restrained and ‘classical’ approach and their repertoires leaned heavily on published ‘spirituals’, though many delved into the comic song also.

Things get really interesting (and more accessible at the time) for the ’60s roots music enthusiast with the 1927 Paramount release of “You Shall” by the incomparable Frank Stokes . Stokes was a powerful voiced Memphis street singer and recording star whose repertoire straddled the older traditions and the contemporary music, The Blues. He may, some think, be the source of some of W.C. Handy’s published works. His voice was so strong they had some difficulty balancing it with the guitar. Or, two guitars when he recorded with his partner Dan Sane as the Beale St. Sheiks. The flip side is kind of the same song with even longer holds on the V chord and even more scandalous lyrics, “It’s a Good Thing”. (about having a lot of women.)

It pops up in the Old Time Country string band realm as “When the Good Lord Sets You Free”, also from 1927, by the Carolina Tar Heels. They were different from most string bands, featuring harmonica by “Doc” Walsh in place of a fiddle. This group included Clarence “Tom” Ashley who recorded a solo banjo version of The Cuckoo that showed up on the Harry Smith Folkways Anthology and inspired a million covers. It was his rediscovery in 1961 that lead directly to the emergence of Doc Watson. Clarence didn’t have a banjo at the time and he said, “well, there’s a young fellow down the road knows all these old songs…” Except, Doc only had an electric guitar at the time. They fixed them both up with new instruments and took them off to L.A. to play at the Ash Grove and the rest, as they say,…

Then there’s the aforementioned Woody et al. version. I don’t know whether he got it off of a hillbilly record or Frank Stokes or just an acquaintance. He may have added some more floating verses and made some of his own.

Which brings us directly to Bob Dylan, who recorded it twice with new lyrics of his own. No doubt a couple people heard those versions.

But before that there was an anomalous detour into a rewritten version by Ted Weems and Joe “Country” Washburn “Oh, Monah!” which became a HIT in 1941. It was also done by countless Western Swing and country and bgrass bands and British big bands and maybe even an Australian folk-rock band in the ’60s.

Might there be any individual identity after death?

Imagine a mound of mud surrounded by water. Some water is also part of the mud, but still we can perceive the mud as an object with its own identity. Outside of a certain murky area the water also seems to be its own thing. But, around the mound lurks the murk, and the density and breadth of that area may be changing over time; the mound may also be taking in as well as divesting. It is communicating with something outside of itself. At what distance does the separation become complete? Well, perhaps nowhere unless we reach a desert. But at what point do we no longer recognize the water as part of the mound, despite containing mud, as an individual identity? Maybe the mud itself continues to identify for awhile. I suppose one can separate them entirely given the proper tools techniques and time. But, the water that was part of the mound might hang around the same area for awhile unless there is a particularly strong current, and even then… maybe it retains some sense of coherence and familiarity as it slowly merges with the crowd. Maybe it still has some taste of that muddy personality. Now think of the water as consciousness and the dirt as physical matter. And think of the mud as a metaphor that seemed for awhile like it might be going somewhere…

I think I read this story about Elone when I was a kid

Something has been falling into place for me about Elong Musk that others don’t seem to be saying, at least not much or in the popular leftist commentaries I’m seeing. It appears that he is not just another rapacious capitalist, rampant narcissist and regular bully. He is all those things; but he is likely more: a true megalomaniac. He sees himself as a prophet. Nay, a saviour; first of ‘western civilization’ (which he is probably using as a euphemism) and further of humanity itself. The last hope for humanity given the doomed nature of this planet. He may well have had some science-fiction fueled revelations while on major psychedelic trips. I can relate to that. I would have saved humanity myself a couple of times if I had seen a way to gather the resources. He, however, does see a way to control all the leftover resources of the doomed planet and shoot humanities seed into space. Or, maybe just his seed. This could be why he keeps causing all these women to push out his progeny. He envisions the universe being populated with his superior DNA. First Mars, then the stars.

another night or day

I got to a pretty good state for awhile yesterday waking up after midnight and going from the endless night of despair into the day instead of trying to get up in the afternoon in despair and seeing things just get darker.

I thought maybe I was on the right track. But, waking up at 3 a.m. today (a favorite time of day) it seems just too dark. I think I was having one of those dreams that was just a true and graphic account of my lack of place in the world. Maybe it was better yesterday when it was all running and hiding and people being shot in the head.

But the part I remember was ending on a somewhat lighter side of trouble. After all, I found a place to pee for a change (well, it was off a sidewalk, but I didn’t think anyone was around), and did so quite easily. (I thought maybe because my penis was particularly short at the time.) So the walk was going along okay into the grey color field, skies and sidewalks and buildings.

But a vehicle starts pacing me, then falls behind, and someone is talking.. I have to turn around to see that it’s a cop car. What luck. He wants to know what’s going on or something, I say “you tell me. what do you want?” Well, it turns out he doesn’t say anything about indecent exposure, or anything of a legal nature as far as I can tell. He’s just harassing me about my life in general, and leading to, “You let yourself go bald.” As I was trying to say in a scoffing tone (don’t talk back to the cops, kids) “That’s not something one has much choice about” I woke up. And here we are, with the imaginary correspondents again.

memorable yet forgotten dream

When I got up Thursday it was Friday. It had been another strange and overly extensive day into night’s sleep. Before, I’d already stayed up a bit too long and whiskeyed a bit and was more than prepared to fall out of it when there was a last minute turn and I decided to do what needed to be done instead. So then came further hours of getting stuff ready to go to the post office, walking down there and a side-trip to a store where I bought and consumed things which I should have not. After the staying up, stayed down a sleep-and-a-half in penance; waking briefly for visits from the cat, too impatient with me to stay in my arms, and a surprising explosion from the sky followed by reassuring water fall. Maybe there were some other memorable but forgotten interruptions, but still little indication from my waking mind that it would ever wish to re-enlist.

Toward the end there was one of those long, connected, maybe lucid dreams in a place with diverse enough areas and people to seem to justify the many chapters and themes. Unfortunately, I was once again unwilling or unable to get up after, and the details and connections are eroding and wafting away.

The event was outside at first, a festival of some sort I guess as there were booths and exhibits. In front of the booth where I was, which no doubt had something to do with African-American, and perhaps Jewish-American, cultural history there was an “amusement” of some sort, a game or ride, involving a tall pole. There seemed to be a reference to lynching, a “heritage” thing I guess, and its position right in front of us felt like an intentional provocation. Frustration. Leaving for awhile. Return as things were winding down and some conversation about whether anyone had done something, or why we/I couldn’t. “Well, anyway, they are gone and we are still here, so perhaps…”, she said.

Then it was inside, after-party with many people in The Lodge. Although, there was some kind of overlapping with my place. For, in discussion with someone about my extensive incomplete and undistributed works, as I was trying to explain about how I had been a visual artist as well as songster and writer, I was pointing out that the works on the wall didn’t include any of my best prints, but there were some upstairs I might be able to root out. From nearby a confident-looking gentleman, a solid well-groomed fellow with dark hair, sidled into the conversation. He said he had heard enough to know that I had something, but that I was in need of representation. I allowed that that may be true, and he assured me that he was the man for the job and knew how to begin our business. I was all for it.

It is at this point that I began to have a recurring problem with understanding the other characters’ words. I couldn’t tell whether it was because the noise of the event was making it hard to distinguish, or they were actually using words which I did not know. However, since the confident dark man seemed to be going into academic and Arts catch-phrases of some sort it may have been the latter in this conversation. He started right out with something like, “So, you write Shakespearian <insert Latinesque neologism>s which can be related to <more gobbledy-gook> and for which there is a market in <who-the-fuck-knows>…

I interrupted with frustration (and some yelling, I suppose), to object that, no, I don’t. I had merely made some passing reference to a one-off sonnet, and that all I really do is (generally odd) songs and drawings. He walked off in disgust.

Then I was sitting in a corner next to some stairs, from under which people occasionally crawled out of a door. Someone had witnessed the encounter with the salesman and said that they had noticed his mask. It was a party, so I suppose there may have been masks, but I had not seen him in one. They said, “It was his smile. It is the mask of The Devil.”

Then from the stair-door emerged a lovely young woman who I thought was someone I know (unlike most of the nice helpful women I encounter in these places, who I don’t recognize.) She was talking of someplace I could possibly go and take refuge. A room, or maybe a box. I picture a pillar in the middle somewhere. That it would be alright if I stayed to this one side where the water hadn’t reached yet. But, I couldn’t make out what her word for this place was, and some other details. I kept asking her to repeat it, and she did. But I had to say, “sorry, I’m still not getting it.” After awhile she went off to other things, but leaving some hope that we were going to be getting together later.

The last thing I remember is doing some washing-up with some other women whose words of encouragement I cannot recall. The surfactants in the tub seemed to be working well for them in clearing off the dishes, but I was left struggling with scrubbing at some small utensils whose tiny nooks and crannies, curves and corners, held onto globs of grease.

r.i.p Noah Shull

so, I said to my cat, (instead),
no I’m not mad at you;
yes, you can live here, that’s just fine;
you stay with me, you and all the spirits.
Maybe I could have said that to Noah
Maybe I could have said that to Pete
Maybe they would have been too much for me to handle, let alone help;
but what good am I if not the last refuge of the lost musicians
who kept washing up on my
sure
If not the one who brings the bad trippers out and down
Pete, Noah, Chris… well, I did harbor Pearcy for some time, years ago. But, then I didn't.
Why couldn’t I take them all in, and work the magic
write the magic words on the magic almonds
that transfer the people’s disease into me
and then I just shake it off, like I do.
See me shaking? yeah, it will be over soon.
Shaking it right off.
So I had a rough decade or so after allegedly saving that last tripping stranger’s life.
I’m sure it was just a coincidence.
probably.
Maybe I did, just now, say it
to all of them, all the spirits
in or around the cat.
The cat is trying to speak for all, he says.
Is that what he said? I keep getting it all wrong.
All right. Alright.
Oh, Glory. Glory, Glory. All Glory, all the Time
time, time

Deep Science Thoughts on the Inauguration

I’ve seen it mentioned that the date for this inauguration is palindromic. (“Don’t be so palindromatic”, the lexicographers said, expunging the offending dictionary entries.) This will be the last inauguration date that is a palindrome for 1,000 years. (And I can’t wait.)

What does this mean?!?, you are wondering. I’ll tell you what it means! Well, if you are lucky enough to live in some remote isolated eden where a particular calendar is not counting up in a particular numbering system from a particular date, it might not mean sheeeeit!. However, for the rest of you, those millennia of brainwaves following that count up have had a powerful effect on certain sub-strata of quantum strings. The song those strings are playing is a kind of cosmic ear worm.

So, I tell you, it means we are standing, nay, hovering on the threshold of the conjunction with a MIRROR UNIVERSE! Which universe do we enter? Do we turn back to the weirdly familiar one which we have been inhabiting, or enter the familiarly weird MIRROR UNIVERSE?!? How would we know, having been turned around so many times we are dizzy? Which would be a better choice? How could we possibly tell?

Oh, you tell me.