I had a remarkable unplanned encounter
with my old sweetheart the Moon;
I was just heading back from the usual little
walk down the hill to the store.
Barely a few houses up Olentangy Street
I happened to look up for a glance;
But my look was captured, our lights were linked
and my feet froze to the cement.
Heavy cloud cover seemed to part
just in that one bright circle.
And though the dark grey continued to roll
from the south, with a chill breeze in step
down here below, we both stood engaged
the dark edge would advance but at last moment part
just enough to leave that one circle uncovered
slowly growing as stretched by our gaze.
I stood waiting for coverage, but the parting went on
Until a larger space shown with clear blue around
and subtle grey circles in the overall black
radiated out an enlarging sphere pattern.
Although the moon has promised to help
my vision if I remember to gaze
there still was a little lack of focus
and double-vision projection below.
This made it seem like the moon had a chin
and the space in-between gave it a grin.
As the moons parted and the old familiar
features of my friend sharpened, the double
moved down into a long white beard.
Eventually, of course, the chill of the sidewalk
Moved up through both the thin soles and thick socks
And I had to break off and move along, dizzy.
When I looked up again, the features were blurring
And the blue space was smaller, though it grew as I watched.
We continued this way as I went up the hill.
As the walking got longer, moon's features grew dimmer;
angry memories returned of the last time we talked,
and the words that as usual got stuck inside me.
Looking up from the bridge at the top of the hill
dark black swirls had moved to the fore.
New Page: the 1974 song list revisited videos
another night or day
I got to a pretty good state for awhile yesterday waking up after midnight and going from the endless night of despair into the day instead of trying to get up in the afternoon in despair and seeing things just get darker.
I thought maybe I was on the right track. But, waking up at 3 a.m. today (a favorite time of day) it seems just too dark. I think I was having one of those dreams that was just a true and graphic account of my lack of place in the world. Maybe it was better yesterday when it was all running and hiding and people being shot in the head.
But the part I remember was ending on a somewhat lighter side of trouble. After all, I found a place to pee for a change (well, it was off a sidewalk, but I didn’t think anyone was around), and did so quite easily. (I thought maybe because my penis was particularly short at the time.) So the walk was going along okay into the grey color field, skies and sidewalks and buildings.
But a vehicle starts pacing me, then falls behind, and someone is talking.. I have to turn around to see that it’s a cop car. What luck. He wants to know what’s going on or something, I say “you tell me. what do you want?” Well, it turns out he doesn’t say anything about indecent exposure, or anything of a legal nature as far as I can tell. He’s just harassing me about my life in general, and leading to, “You let yourself go bald.” As I was trying to say in a scoffing tone (don’t talk back to the cops, kids) “That’s not something one has much choice about” I woke up. And here we are, with the imaginary correspondents again.
pesky blasphemers
Change Time Things So inevitable and constant and also plentiful to the point that by the time you make that last remark there's so much more you couldn't possibly have, you know, known. So, pernaps not even invoke their names? er, um, kind of a policy, you know.
the afternoon before the evening of
Heavenly Blue Peak Shrouded in smoke and ashes May flavor return
memorable yet forgotten dream
When I got up Thursday it was Friday. It had been another strange and overly extensive day into night’s sleep. Before, I’d already stayed up a bit too long and whiskeyed a bit and was more than prepared to fall out of it when there was a last minute turn and I decided to do what needed to be done instead. So then came further hours of getting stuff ready to go to the post office, walking down there and a side-trip to a store where I bought and consumed things which I should have not. After the staying up, stayed down a sleep-and-a-half in penance; waking briefly for visits from the cat, too impatient with me to stay in my arms, and a surprising explosion from the sky followed by reassuring water fall. Maybe there were some other memorable but forgotten interruptions, but still little indication from my waking mind that it would ever wish to re-enlist.
Toward the end there was one of those long, connected, maybe lucid dreams in a place with diverse enough areas and people to seem to justify the many chapters and themes. Unfortunately, I was once again unwilling or unable to get up after, and the details and connections are eroding and wafting away.
The event was outside at first, a festival of some sort I guess as there were booths and exhibits. In front of the booth where I was, which no doubt had something to do with African-American, and perhaps Jewish-American, cultural history there was an “amusement” of some sort, a game or ride, involving a tall pole. There seemed to be a reference to lynching, a “heritage” thing I guess, and its position right in front of us felt like an intentional provocation. Frustration. Leaving for awhile. Return as things were winding down and some conversation about whether anyone had done something, or why we/I couldn’t. “Well, anyway, they are gone and we are still here, so perhaps…”, she said.
Then it was inside, after-party with many people in The Lodge. Although, there was some kind of overlapping with my place. For, in discussion with someone about my extensive incomplete and undistributed works, as I was trying to explain about how I had been a visual artist as well as songster and writer, I was pointing out that the works on the wall didn’t include any of my best prints, but there were some upstairs I might be able to root out. From nearby a confident-looking gentleman, a solid well-groomed fellow with dark hair, sidled into the conversation. He said he had heard enough to know that I had something, but that I was in need of representation. I allowed that that may be true, and he assured me that he was the man for the job and knew how to begin our business. I was all for it.
It is at this point that I began to have a recurring problem with understanding the other characters’ words. I couldn’t tell whether it was because the noise of the event was making it hard to distinguish, or they were actually using words which I did not know. However, since the confident dark man seemed to be going into academic and Arts catch-phrases of some sort it may have been the latter in this conversation. He started right out with something like, “So, you write Shakespearian <insert Latinesque neologism>s which can be related to <more gobbledy-gook> and for which there is a market in <who-the-fuck-knows>…
I interrupted with frustration (and some yelling, I suppose), to object that, no, I don’t. I had merely made some passing reference to a one-off sonnet, and that all I really do is (generally odd) songs and drawings. He walked off in disgust.
Then I was sitting in a corner next to some stairs, from under which people occasionally crawled out of a door. Someone had witnessed the encounter with the salesman and said that they had noticed his mask. It was a party, so I suppose there may have been masks, but I had not seen him in one. They said, “It was his smile. It is the mask of The Devil.”
Then from the stair-door emerged a lovely young woman who I thought was someone I know (unlike most of the nice helpful women I encounter in these places, who I don’t recognize.) She was talking of someplace I could possibly go and take refuge. A room, or maybe a box. I picture a pillar in the middle somewhere. That it would be alright if I stayed to this one side where the water hadn’t reached yet. But, I couldn’t make out what her word for this place was, and some other details. I kept asking her to repeat it, and she did. But I had to say, “sorry, I’m still not getting it.” After awhile she went off to other things, but leaving some hope that we were going to be getting together later.
The last thing I remember is doing some washing-up with some other women whose words of encouragement I cannot recall. The surfactants in the tub seemed to be working well for them in clearing off the dishes, but I was left struggling with scrubbing at some small utensils whose tiny nooks and crannies, curves and corners, held onto globs of grease.
r.i.p Noah Shull
so, I said to my cat, (instead), no I’m not mad at you; yes, you can live here, that’s just fine; you stay with me, you and all the spirits. Maybe I could have said that to Noah Maybe I could have said that to Pete Maybe they would have been too much for me to handle, let alone help; but what good am I if not the last refuge of the lost musicians who kept washing up on my sure If not the one who brings the bad trippers out and down Pete, Noah, Chris… well, I did harbor Pearcy for some time, years ago. But, then I didn't. Why couldn’t I take them all in, and work the magic write the magic words on the magic almonds that transfer the people’s disease into me and then I just shake it off, like I do. See me shaking? yeah, it will be over soon. Shaking it right off. So I had a rough decade or so after allegedly saving that last tripping stranger’s life. I’m sure it was just a coincidence. probably. Maybe I did, just now, say it to all of them, all the spirits in or around the cat. The cat is trying to speak for all, he says. Is that what he said? I keep getting it all wrong. All right. Alright. Oh, Glory. Glory, Glory. All Glory, all the Time time, time
‘Oh, Glory’
Pete in ’63
This is just a little promo video for this amazing concert video I watched last night. Well, this morning actually. I suppose I should have taken a break in the middle and gone to bed around sunrise but I got caught up. This is Pete at what I think of as a peak for him. He was just beginning to become one of the biggest influences on my life, although almost entirely excluded from American media. He had only recently had his Federal prison sentence for contempt of Congress commuted. I was starting to hear his concerts through Folkways records I found in the basement of the Grandview Library, along with copies of the hard to find Sing Out! magazine in which he had a regular column called Johnny Appleseed, Jr. A new contract with Columbia Records, his first major label since the Weavers got blacklisted in the early ’50s while they were top of the hit parade, resulted in a great Carnegie Hall concert recording from this same year, but I never imagined there would be a way to actually see him performing. At the time he was blacklisted from the TV show named after a phrase he and Woody had made popular. I wonder how it would have affected me at 13 to see him as a human rather than just a disembodied voice and some dramatic still photos. Standing alone in the middle of 3,000 people who sing along reluctantly, and for some apparently cynically, at first; but by the end transformed into an emotional choir. He closed his show, before encores, with a song by “a young friend” of his, Bob Dylan. (Pete was a member of The Old Guard of folk music, 44 years old here.) “A Hard Rain…” Bob’s own record of it had barely been released when Pete did it at Carnegie Hall, and I don’t think it was being heard that much yet. If people knew of Bob at all, it was as a guy who wrote some Peter, Paul and Mary hits, but sounded too funny to actually listen to. It was interesting to see that Pete was still using crib notes on it here. He wasn’t reading it, no music stand nonsense, but you can see him glancing down at his feet between lines to check what came next.
One thing that weirdly stuck out to me, having had my ears ruined by the age of electronic tuners, was that he was never quite in tune through the whole concert. He would take a few seconds to tune, usually not the string that I was noticing was bad, but he didn’t obsess about it. Went from Drop D to standard on the 12-string, kept moving the capo up and down sometimes in the middle of a song when he decided it was not in the best key for everyone to sing, and therefore having to change the 5th string on the banjo. It seemed so obvious to me during the brief attempt at tuning that he hadn’t got it. But, he just charged right on, and once he got going it really didn’t matter a bit.
That studio clip where he is chopping the log was during a long segment on some TV show devoted to a salute to Leadbelly. After he finishes chopping through the work song, he looks up at the camera and says “Well that’s a ridiculous thing to do on TV, isn’t it? It doesn’t belong on a screen! Well, face it, folk music doesn’t belong on a stage, either.” Then he goes on and chops along to a film of Leadbelly doing “Take This Hammer.”
It’s just such a fascinating contradiction how he continually had massive success in industries he considered essentially wrong, and made a virtue of it.
My fabulous academic career, chapter three. I walk out.
At least twice when I was a child I walked out of school in the middle of the day, awol and without notice to any adults. For reasons beyond my comprehension the authorities and parents got riled up about this, but it was always the only response I could muster to adult unreasonableness. Both times I think the biggest problem was a demand that I go to a room I was not familiar with to face some strange teacher. I had had enough difficulty working out how to find the rooms I attended classes in.
The first time was in 3rd grade (so, first year in Columbus) and I don’t remember what the problem with the strange teacher was, but I know I walked straight home the 1.3 miles, so I don’t know how my parents had time to become so alarmed.
The second incident was rather spectacular and I have been reminded of it a couple of times in a short period of time recently. After I had been thinking about it, out of the blue I coincidentally got a note from an old classmate I hadn’t seen since those days referencing it and even recalling the name of the teacher!
This incident was in 7th grade, my first year in the old stone prison-like institution known in those days as Jones Jr. High. I was in a large study hall early in the day, planning on completing an assignment due the next period, and discovered that I did not have any blank paper. The teacher was this German woman who I remember as being kind of a Frau Blucher type, although in updated mid-century American style of course. Her name was actually Mrs. Gudat. I slim, harsh-faced formidable character. She had strictly forbidden talking or noise of any kind in her study hall, but I was desperate enough for a piece of paper that I risked trying to whisper as quietly and surreptitiously as possible to the person in front of me to try to borrow one. Of course, this flagrant violation did not escape the preternatural hearing of the hawk-like Frau Gudat, who marched down the aisle, where I was a good ways toward the back of the room and against the left wall, so this drew the attention of the whole group, to administer admonishment and forbid the transfer of illicitly obtained class-work materials. I tried to explain that I just needed one sheet of paper and I really needed to finish this assignment, a situation for which she had no sympathy. “You should have done it last night!”, she barked, and headed back to her podium.
I sat there fuming over my untenable academic situation and the injustice of the authoritarian regime and began to have one of my incidents of rising heat and anger. In those days I always used a cartridge fountain pen, a cheap Schaeffer that was widely available. I took off the cap and made a forceful arcing gesture with it toward the front of the room, shooting a plume of ink down the aisle. The ink ended up hitting a boy quite a ways up the row from me. By a stroke of bad luck, he was a boy with a bit of a limp from some childhood disease or something, which added further shame to the whole incident.
Mrs Gudat came storming down the aisle demanding to know why I was picking on the poor cripple boy. By now I was standing, and I said, “I wasn’t aiming at him.” “Well, what were you aiming at?”, she demanded. “I was aiming at you!” I replied.
The next thing I knew she was slapping me, rather dramatically, and said, “I’LL TAME YOU, YOU SAVAGE!!!”
This seems to have started talk amongst the student population that we were having some sort of steamy affair.
Then I think there was some sort of demand that I go to some strange room after school, and I walked out. This time I just kept walking for quite awhile. I walked out of Old Arlington, I walked up Ackerman past what were in those days fields of cows, and ended up at University City Shopping Centre on Olentangy. There I remember there being a new record store that I might not have had a chance to check out as of yet. It wasn’t very good, but enough to calm me down.
In the meantime apparently there had been a lot of hue and cry and search for the missing child. I was filled with shame and fear with the thought of facing the reactions of adults and students alike. My parents had to have yet another meeting with a Principal and I got some vague report that there had been discussion of how I was a bit peculiar but apparently some sort of genius, so I would get special consideration but I’d better watch it. I think Mrs. Gudat was induced to make an apology, which was surprising since in those days it seemed like teachers could treat students however they wanted. As for the students, it may have given me a certain cachet for awhile, but also undesirable attention and they quickly got back to ever intensifying ridicule and bullying.
All singing, All dancing Moving Picture Show
Four Songs. Movie by Barry Chern